In the summer of 1975, photographer Nicholas Nixon was visiting his wife’s family when, on an impulse, he asked his wife and her three sisters if they would pose for a photograph. The result was a striking black-and-white image of the four women, linked by their elbows, standing against a soft backdrop of trees and lawn. Their relaxed posture and luminous appearance captured not just the simplicity of the moment, but also the quiet bond between them as sisters.
A year later, while attending the graduation of one of the sisters, Nixon decided to recreate the moment. He asked them to stand in the same order as they had before, and after seeing the photograph, he proposed an idea: what if they took the same picture every year? The sisters agreed, marking the beginning of a project that would span decades and become one of Nixon’s most enduring works.
Imagine the significance of having such a personal archive—a tangible, year-by-year chronicle of growing up with your siblings, set against the backdrop of time passing. Over time, these annual photographs would offer a unique visual record of the sisters’ lives, documenting not only their physical changes but also the deepening connection between them. Check out this poignant series of photographs.
1975
In 1975, the mesmerizing journey of the Brown sisters’ annual photo project commenced, thanks to the creative vision of Nicholas Nixon and the enthusiastic participation of the sisters themselves.
With a simple yet powerful concept, Nixon captured the essence of time, freezing moments that would soon become cherished memories of his lifetime. This very first photograph features the four Brown sisters – Heather, Mimi, Bebe, and Laurie.
1976
Who are these sisters? We’re never told (though we know their names: from left, Heather, Mimi, Bebe and Laurie; Bebe, with the penetrating gaze, is Nixon’s wife). The human impulse is to look for clues, but as the photographer intended, this series of photographs reveals nothing about any of the sisters, except for their striking faces and poses.
Are they Irish? Maybe they are of Italian descent, no one knows about their background, and therefore one’s curiosity naturally becomes piqued by their undaunted stares. Standing outside in Hartford, donning on whimsical dresses, the unmistakable charm of the sisters made Nixon take one of the most poignant turns in his career.
1977
Nixon uses black-and-white photography to document the passage of time and the evolving relationships among the sisters. The black-and-white aesthetic adds to the timeless quality of the series, highlighting the fine details of aging, from the soft lines on their faces to changes in posture.
The composition is minimalist, focusing entirely on the subjects: the sisters. Their expressions are serious, yet not overly posed, giving a sense of rawness and authenticity. Each of the sisters is distinct in appearance, yet the tight framing of the shot emphasizes their unity.
1978
This is the fourth photograph from Nicholas Nixon’s “Brown Sisters” series captures an intimate and natural moment between the four sisters. Their expressions are calm, contemplative, and unposed, creating a sense of authenticity. The arc of their faces draws the viewer in, highlighting their bond.
Soft, natural light adds a fresh and airy quality, while the simple backdrop and clothing keep the focus on their faces. The subtle textures of the background complement the composition, grounding the image while maintaining a feeling of unity and timelessness. It’s a quietly powerful portrayal of connection and change with the passage of time.
1979
This image from Nicholas Nixon’s “Brown Sisters” series continues the artist’s exploration of time and sisterhood. The four women stand in close proximity, their body language intimate yet distinct. Each sister brings her own expression and presence to the frame, from soft smiles to more introspective looks.
Nixon’s signature black-and-white style enhances the emotional depth, stripping away distractions to focus on the women’s faces and the quiet passage of years. The natural backdrop adds a timeless quality, while their relaxed, varied clothing further grounds the image in the everyday, reflecting Nixon’s skill in capturing both the personal and universal.
1980
This photograph showcases the intimate bond between the four sisters through a closer, more personal composition. Their expressions are soft yet reflective, with subtle interactions—one sister rests her arm around another, signifying closeness.
Nixon’s use of natural light creates a contrast that brings out the texture of their skin and the details in their clothing. The slight variations in posture, expression, and gaze tell a story of shared experiences and individual identities.
1981
This photograph marks a continuation in the visual narrative, showing the four sisters seated outdoors, their expressions unified in intensity and focus. The close-knit grouping and casual summer attire evoke a sense of ease, yet their direct gazes suggest unmistakeable emotional complexity between siblings.
The natural setting, with its dappled sunlight and leafy backdrop, contrasts with the raw, almost confrontational clarity of their expressions. This image seems to capture a moment of reflection, possibly signifying the weight of time, the inevitable transformations of life, and the enduring connection between them.
1982
This photograph from 1982 captures the Brown sisters in an outdoor setting, where the weather appears to be quite chilly . Whether they were on a family vacation, attending a special event, or simply embracing the beauty of nature, their choice of location reflects the sense of adventure and exploration that characterized the ’80s .
This photograph continues the exploration of time, showing the four women dressed in heavy, layered winter clothing, standing against a backdrop of overcast skies. Their expressions, though softer, still convey a sense of seriousness and introspection.
1983
This photograph conveys a sense of quiet strength, marking yet another chapter in their evolving bond and shared experiences. Each sister faces the camera, yet their gazes seem to suggest individual thoughts. Their clothing is light and casual, with patterns and textures that complement the outdoor setting. The natural background, blurred by focus, allows the viewer’s attention to rest entirely on their faces.
The immersive nature of the photograph invites viewers to witness the sisters’ animated conversation, capturing their strong bond and the unbreakable thread that weaves through their collective experiences . It is within these shared moments of laughter and friendly competition that the essence of sisterhood shines brightly.
1984
The beach photograph from 1984 not only showcases the joy and jubilation of the Brown sisters but also offers a subtle glimpse into the presence of Nicholas Nixon, cast as a faint shadow in the frame . Nixon’s inclusion in the photograph serves as a creative symbol, solidifying his role as the keeper of their cherished memories .
Two of the sisters have their arms around each other, further emphasizing their close bond. The sunlight creates a stark contrast between light and shadow, highlighting their expressions, which are thoughtful yet calm. The seaside background adds a layer of tranquility, symbolizing the passage of time and their enduring connection.
1985
As the Brown sisters and Nixon continued their steadfast commitment to the family photo project, the year 1985 marked a new chapter in their evolving narrative . With a decade’s worth of photographs already amassed, their ages – purposefully arranged in no particular order—highlighted the passage of time and the fleeting nature of moments.
In this photograph, the four sisters stand closely together beneath a canopy of tree branches, the dappled light filtering through the leaves. Their poses are relaxed yet intimate, with one sister resting her arm on another’s shoulder, reinforcing their strong bond. The soft, flowing fabrics of their clothing, coupled with the natural surroundings, create an atmosphere of serenity and connection, both to each other and to the moment.
1986
In this close-up portrait, the four women stand in an intimate grouping, their faces nearly touching, emphasizing their deep connection. The lighting is soft, creating a smooth texture on their skin and highlighting the subtle contours of their faces. Each sister looks directly into the camera with expressions that are calm yet serious, giving a sense of quiet strength and solidarity.
The simplicity of their clothing and the neutral background allows the focus to remain entirely on their expressions and connection to one another. The close framing of the shot makes the image feel deeply personal, capturing a strong, almost unspoken bond between them as they confront the passage of time together.
1987
The photograph from 1987 shifts the focus to Bebe and Mimi, who take center stage while Heather and Laurie gently linger in the background . This intentional composition hints at a unique pose or signifies a significant event in the lives of Bebe and Mimi . It provides a glimpse into their individual journeys and the moments they choose to commemorate in the family portrait.
The diverse paths each sister has embarked upon, marked by personal milestones and accomplishments, showcase the multifaceted nature of their sisterhood . It reminds us that within the collective bond, there is room for individual stories to unfold, weaving a rich tapestry of experiences.
1988
This image captures the essence of Nicholas Nixon’s ability to make a simple portrait feel rich with meaning. The four sisters stand closely, their expressions relaxed yet full of quiet depth, hinting at a lifetime of shared moments. There’s a palpable warmth here, with one sister’s arm draped around another, signaling the comfort they find in each other.
Nixon’s mastery lies in how he captures the unspoken connections between them without forcing the moment. Their clothing choices—casual, with a splash of leopard print—contrast with the soft natural backdrop, making this feel like a fleeting moment in their enduring bond.
1989
The photograph from 1989 presents a captivating mystery, as Heather’s partial visibility, concealed behind Mimi, sparks speculation that she may be embracing the joys of impending motherhood. The deliberate decision to keep personal aspects outside the frame reflects the sisters’ unwavering dedication to emphasizing their collective bond and the ongoing photo project.
In this portrait, Nicholas Nixon expertly captures the quiet power of the sisters’ bond. Arranged in a tight formation, their postures and expressions reflect both individuality and togetherness. The contrast between their clothing—stripes, solids, and textures—adds subtle layers of interest.
1990
In this photograph, the four sisters stand shoulder to shoulder, their faces framed by a cool, overcast sky. Dressed in cozy jackets and turtlenecks, there’s a subtle suggestion of the season—autumn or early winter. Their outerwear, from denim to fleece, adds a rugged, practical feel, but it’s their expressions that capture the heart of the image.
The gaze of each sister is steady, calm, and slightly introspective. One sister has her arm gently around another, a small gesture that hints at both warmth and protection. Nixon’s lens captures not just their physical closeness but also the quiet, enduring strength of sisterhood and sibling relationships.
1991
In this photograph, the resemblance between the sisters is striking, more pronounced now as they’ve aged. Their features—sharp eyes, high cheekbones, and steady gazes—create a powerful sense of familial unity. Each stands closely, shoulder to shoulder, with minimal physical touch but undeniable emotional closeness.
Their clothing, simple and slightly formal, allows their faces to take center stage, where time’s effect is evident yet graceful. The soft light of the overcast sky casts a gentle shadow, enhancing their shared expressions of quiet strength and wisdom.
1992
In this photograph, the four sisters stand in a casual but affectionate grouping. One sister looks down with a soft smile, gently holding another’s arm, while the others face the camera with calm, knowing expressions. Their outfits, a mix of patterned dresses, stripes, and sweaters, highlight their individual styles without overshadowing the scene’s simplicity.
In this photograph carefully orchestrated to evoke intrigue and speculation, Nixon subtly draws attention to the sister who may be experiencing a significant life event. The image portrays Heather gazing at Mimi’s stomach and gently cradling it, raising the possibility that she may be pregnant.
1993
Breaking away from the established pattern of capturing the family photos in broad daylight, the Brown sisters and Nixon decided to venture into uncharted territory with their first nighttime photograph . Utilizing a flash to illuminate the scene, they embraced the darkness to create a unique atmosphere and aesthetic.
This departure from the traditional daytime setting suggests a desire for experimentation and innovation within the project. It showcases their willingness to push the boundaries of their family photo tradition and inject a sense of creativity into their ongoing visual narrative.
1994
Drawing a striking parallel to a similar close-up picture captured in 1986, the Brown sisters and Nixon might have deliberately chosen to recreate this particular photo . The shared location or setting serves as a poignant reminder of the enduring connections they share as sisters, spanning across years of memories and experiences.
The bold patterns and textured fabrics they wear offer a touch of personality without competing for attention. No fancy backdrop, just their faces—front and center. It’s raw, grounded, and almost defiant, as if they’re standing together to face whatever comes next.
1995
The photograph from 1995 beautifully encapsulates the deep affection and unbreakable bond shared among the Brown sisters. Their warm embrace serves as a visual testament to the strength and resilience of their sisterhood, which has endured the test of time.
An interesting observation throughout the series of pictures is the sisters’ minimalistic approach to jewelery . It is intriguing to speculate on the reasons behind this choice . They may have intentionally chosen to focus on their authentic selves, emphasizing the purity of their connection and the timeless nature of their sisterly bond.
1996
In 1996, the Brown sisters and Nixon ventured into the realm of nostalgia as they recreated a photograph originally taken by Nixon in 1984, exactly twelve years prior . This deliberate choice to revisit a specific moment from their shared history adds depth and layers of meaning to their ongoing photo project.
Notably, in both images, we can observe the shadow of Nixon overlapping his wife, serving as a subtle reminder of his presence in their lives and his role as the observer and chronicler of their remarkable journey. The absence of excessive jewelry adds an organic and unpretentious touch to the overall aesthetics of the photographs, further highlighting their genuine and unadorned beauty.
1997
In this portrait, the sisters stand closely together, with their formal attire giving the image a sense of elegance and maturity. The crisp, tailored jackets and subtle details like pearls add a layer of refinement, contrasting with the softer, more casual portraits in the series. Their expressions are calm yet serious, each woman’s face reflecting a sense of self-assurance that has developed over time.
The plain, neutral background enhances the focus on their faces and postures, with no distractions to pull you away from the intricacies of their expressions. This portrait captures the sisters at a moment of poised confidence, where the formal composition highlights both their individual strengths and the enduring unity they continue to share.
1998
In the photograph captured in 1998, the Brown sisters radiate joy and contentment, their expressions reflecting a sense of harmony and serenity. The wind gently tousles their hair, adding a touch of whimsy to the moment. It is evident that they are relishing each other’s company on this lovely, albeit windy, day.
The open sky and soft clouds behind them add a sense of freedom and openness, as if they’ve just paused for a quick photo during an outdoor adventure. There’s something effortless about the way they stand together, as if they’ve done this a hundred times and will do it a hundred more. It’s a snapshot of solidarity and simple elegance, with nature providing the perfect backdrop.
1999
In the photograph from 1999, Nixon deliberately directs his focus towards Bebe, creating a visually captivating composition where the three sisters encircle and support their eldest sibling . This intentional arrangement highlights the significance of Bebe’s presence and showcases the strong foundation of their sisterly bond.
The outdoor setting, with blurred trees in the background, gives the image a natural, earthy vibe. Their expressions are thoughtful but relaxed, like they’ve seen it all and are now just enjoying the ride. It’s the kind of photo that feels both timeless and grounded, showing that these sisters are a team, no matter what life throws at them.
2000
In this touching photograph, the Brown sisters once again find themselves at the beloved beach location they had visited years prior in 1984. The significance of returning to this specific spot hints at the sentimental value and cherished memories it holds for the sisters, evoking a sense of nostalgia and familiarity as they recreate their annual photo.
The sisters’ synchronicity in their clothing not only showcases their unity but also serves as a visual representation of their shared sisterly bond . Their coordinated attire reflects a deeper understanding and consideration for each other’s well-being, capturing the essence of their unbreakable connection . In this single snapshot, the Brown sisters convey a powerful message of love, support, and familial solidarity.
2001
The Brown sisters gather together on the beach to celebrate the arrival of the new century, marking a significant milestone in their ongoing photo project . As Nixon captures the scene from afar, the photograph serves as a visual representation of the distance they have traveled on their remarkable journey .
In this refined portrait by the sea, the sisters stand poised, their expressions thoughtful and composed. The muted tones of their attire complement the tranquil, almost ethereal beach backdrop, where the sand stretches out softly beneath them. Each woman carries a quiet strength—hands gently clasped or resting with grace—while their unified stance exudes a calm confidence.
2002
In this vibrant image, the sisters gather closely, arms intertwined in a strong, almost protective embrace. Their individual personalities shine through their wardrobe—bold floral prints, casual tees, and a simple tank top—each style as distinct as their expressions. There’s an undeniable warmth in the way they lean into one another.
The outdoor setting, though blurred, provides a relaxed backdrop, contrasting with the vivid energy of their connection. It’s a portrait of resilience and togetherness, where decades of shared history are evident in every glance and gesture. The image feels both spontaneous and deeply rooted in sisterly bond.
2003
With their impeccable fashion sense, the Brown sisters, except for Heather, don stylish Polo attire, exuding a remarkably cool and timeless vibe . The choice of their outfits reflects their attention to detail and dedication to presenting a cohesive and stylish appearance in each annual photograph.
The sisters’ commitment to maintaining a consistent visual aesthetic throughout their photo project adds depth and sophistication to the collection, further highlighting the thoughtfulness and creative vision they bring to this enduring tradition. With the slightly windswept hair and the bright backdrop, there’s a sense of resilience and solidarity that makes this image feel both timeless and grounded in the present.
2004
This image offers a powerful contrast to the earlier photos in the series, where the sisters appeared younger, with smoother faces and softer expressions. Now, as time has etched its marks, their features are more defined, their gazes deeper, more reflective. The once carefree postures have evolved into something more grounded, even resolute.
A notable detail catches the eye on the second glance: Heather has a phone clipped to her waistband, a subtle nod to the technological changes that have unfolded over the years. In the early photos, there was no such sign of modern devices, but here, it’s a quiet reminder of how much the world around them has evolved. While the sisters themselves remain a constant through Nixon’s lens, the appearance of a phone hints at the broader societal shifts they’ve witnessed.
2005
The photograph from 2005 captures a unique composition where Heather and Laurie take center stage, their presence emphasized and celebrated. This arrangement may signify a special milestone or significant event in their careers or personal lives, highlighting their individual journeys within the context of their shared sisterhood.
In an intriguing twist, Laurie gazes at Heather instead of directly at the camera, sparking curiosity about the deeper meaning behind their connection in that particular moment . This subtle shift in focus adds an air of mystery and invites viewers to interpret the photograph through their own lens, further engaging with the story unfolding within the frame .
2006
In this portrait, the sisters sit in a relaxed but intimate grouping, each with an expression that feels quietly powerful. The subtle interactions—like the arm resting gently on a lap—add a layer of connection without overt display. It’s a moment of reflection and strength, capturing their shared journey in a way that feels both understated and deeply significant.
In an intriguing departure from the expected, Laurie’s gaze once again avoids direct contact with the camera, leaving people curious about the underlying reason behind this choice . The enigmatic nature of her diverted gaze adds an air of mystery and invites speculation about what might have caught her attention in that particular moment.
2007
Bathed in the warm glow of the sun, the Brown sisters radiate beauty and closeness in the photograph captured in 2007. The sun’s gentle rays gracefully illuminate their presence, accentuating their features and emphasizing their timeless connection.
The sun-kissed ambiance adds a touch of ethereal charm to the composition, elevating the visual impact of the image and evoking a sense of tranquility and serenity. It serves as a poignant reminder of the power of natural light in capturing moments of warmth, joy, and togetherness.
2008
In the photograph, a subtle shift in positioning draws our attention as Mimi finds refuge behind Bebe, while Bebe and Heather take the forefront. Laurie and Mimi are positioned in the background, their presence adding depth and dimension to the composition.
A notable detail that catches the eye is the glimpse of Laurie’s wedding ring, a subtle symbol of her marital status and a significant milestone in her personal journey. Additionally, Bebe’s elegant bracelet adds a touch of style and sophistication to the overall visual narrative, enhancing the composition and showcasing their attention to detail in the annual photographs.
2009
In this photograph, time has visibly woven its influence on the sisters, each line and wrinkle telling a story of decades shared. Their faces, once youthful in Nixon’s earlier shots, now bear the beautiful marks of age—freckles, lines, and the softened contours of experience. Yet, there’s no sign of weakening; instead, there’s a quiet, solid confidence in their gazes.
A playful detail here is the hand resting on one sister’s shoulder, subtly suggesting Nicholas Nixon’s presence just outside the frame. It’s as if he’s become part of the sisterhood, capturing their journey for so long that his fingers have made their way into the scene.
2010
In the photograph from 2010, Laurie’s gentle gesture of resting her head on Bebe’s shoulder encapsulates a profound sense of tranquility and deep connection among the sisters . The serene expression on their faces reflects a moment of serenity and contentment, a testament to the enduring bond they share.
Their faces, framed by soft natural light, reflect decades of life—each wrinkle and freckle telling its own story. There’s a softness here, but also a sense of strength in the way they remain close-knit, as though nothing could pull them apart. The way they lean into each other, both literally and metaphorically, gives the image a sense of timelessness, as if they’ve weathered every storm, only to emerge more connected than ever.
2011
This photograph captures Heather and Mimi in a state of captivation, their gazes directed towards something that piques their curiosity. What could have caught their attention at that moment? It could be an intriguing object or scene, or perhaps it’s a creative pose orchestrated by Nixon to add an element of mystery and intrigue to the composition.
Their focused gazes add depth and nuance to the photograph, inviting viewers to interpret and engage with the image in their own unique ways. The way they gaze, some into the distance, some at the camera, gives the image an introspective mood, as though they are reflecting on the journeys they’ve traveled, both together and apart.
2012
In this portrait, the embrace between the sisters feels as strong as ever, almost as if they’re holding onto decades of shared memories with the same tight grip. This gesture of physical connection exemplifies their deep emotional attachment and the unbreakable sisterhood that has accompanied them throughout their lives. One sister wraps her arms protectively around the others, drawing them close in a way that feels both tender and unwavering.
Their expressions are steady, filled with a quiet resolve, as though they’ve seen it all and know they can face anything together. There’s an intimacy here, a sense of unity that transcends the camera, and yet it’s all so natural—like this could be just another day of them being there for one another. The connection captured in this shot speaks louder than words ever could.
2013
In this photograph, Nixon’s signature simplicity is on full display, allowing the emotional weight of the image to speak through minimalism. The tight framing brings the viewer directly into the sisters’ space, creating an intimate, almost confrontational moment.
This image signifies the endurance of sisterhood in particular. Nixon, who grew up a single child, says he has always been particularly intrigued by the sisterly unit, and it shows in these images. With each passing year, the sisters seem to present more of a united front. Earlier assertions of their individuality — the arms folded across the chest, the standing apart — give way to a literal leaning on one another, as if independence is no longer such a concern.
2014
After an impressive streak of 40 consecutive photographs, the Brown sisters made a surprising decision in 2014 to take a hiatus from their beloved family photo project. The reasons behind this break remain shrouded in mystery, leaving us to speculate about the events and circumstances that prompted their decision.
As one comes to the last picture, one feels the final inevitability that, as Nixon says, “Everyone won’t be here forever.” The implication hovers in the darkening of the palette and in the figures drawing together, huddling as if to stay afloat.